![]() Joining the writers are the hotshot internet tycoon who arranges the publicity stunt, and his squeeze, the photographer in charge of documenting the one-night Halloween event. His inspirations are his adolescent daughter and Christian doctrine. Daniel Slaughter writes for the young adult market. ![]() Sebastian Cole is the venerated elder statesmen, now grappling with the all-too-real terror of the onset of dementia. Moore, the lone female author in the group, represents the edgy side of the genre exalting the co-mingling of pain and pleasure. There’s best-selling author Sam McGarver, whose packed lecture halls at the University of Kansas can’t compensate for a diminishing literary output and fragile marriage. The writers each exemplify a cliché bloc of the spectrum of horror fiction. The writers agree to be part of a publicity stunt centreing on Finch House, a Kansas dwelling made famous by a book entitled Phantom of the Prairie: a True Supernatural Terror. Instead of a cluster of psychics/occult professionals investigating a domicile of dread, Thomas employs a quartet of horror novelists. ![]() ![]() ![]() Author Scott Thomas tweaks the traditions of the sub-genre. Kill Creek is a haunted house novel that embraces ruminations as well as revenants and revelations. ![]()
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